Oh, and if "punctuation relating to quotations" is about the upper-case vs. lowercase right after quotations, I should note that seemingly every other gamebook I can think of uses lowercase. (i.e. ref 7 in The Word Fell Silent.)
Out of all the gamebooks I played on here, this stands out even next to the similar-sized ones that are also labelled "hard" - Outsider!, The Trial Of Allibor's Tomb, A Princess Of Zamarra and Rise Of The Night Creatures (that last one technically smaller in terms of overall reference count, yet greater linearity makes its "true route" feel as long as the one in its 400-500 ref peers) for how obscure the options to reach the true ending really are, and how easy it is to think yourself on the right path until you hit the same DEFEAT: 3 and DESTRUCTION: 3 walls yet again. In most of the aforementioned ones, it is at least quite clear what you were lacking whenever you fail near the end, and what you should be searching for next time. (Though Rise Of The Night Creatures makes some of those searches dependent on literal LUCK rolls.) Outsider! does share in the dubious honour of having a fail ending which gives basically no hint what you should have done differently - though it is at least offset by having easier alternate endings which I honestly consider superior to the intended ones. Both here and there, you essentially have to rely on out-of-narrative logic to find the way to win.
SPOILER
I.e. in Outsider!, you had to assume that Black Aria, the jaded, violent, yet still intensely principled assassin protagonist, is actually the type of guy who would let a necromancer who had slaughtered dozens, if not hundreds of people, live and keep doing that indefinitely, and also learn from him, even after finding out that he was lying about being your father. Then, you also had to assume that the option to summon ghosts you are explicitly warned about would not be an immediate insta-kill, contrary to pretty much every other option like this in that gamebook.
Here, what you actually need is to obtain two rods of this setting's unobtainium, not one, but there is effectively no way to find out that this is even POSSIBLE to do, or that this is the thing which was actually holding your trio from succeeding when you get DESTRUCTION: 3. The game is really good at making dead end pathways look just as viable as the successful ones (making the player think they were smart by picking the obviously correct item past five wrong ones, only for that entire pathway with Pieno (?) to be a trap was a particularly strong move). There is at least some logic in picking up an ID card from a corpse -even if there is no way to know that guy in particular would drop it, or that not having an ID card was a big obstacle when you show up to that stadium and find that a Coordination check seems to work as well.
There is no real internal logic in which pathway at Lochton Heath would actually allow you to win. In order to understand that in the first place, you have to assume that the choice of how to split up would actually lead you in radically different directions. The only "hint" is external, that being one's understanding that the narrative obviously wants Mark and Angela to be together, rather than anything about the location or their situation specifically. I kept assuming that the responsible thing to do would be to go alone and let the two less combat-experienced allies cover each other with gunfire, so as to avoid losing either of them when choosing to go with one and letting the other travel alone.
I suppose that another similarity between the two is that both are bombastic, featuring a lot of "badass" sequences of deeply variable plausibility, yet are tempered with some moral and socioeconomic insights as well. This one certainly goes much heavier on the former, often very clearly styled after a Hollywood action movie: Outsider! did have more than a few scenes where the right thing to do was the quiet one, which is all-but-unthinkable here - and here, even the wrong, or completely skippable sequences are quite exciting. (I.e. I had no idea the motorcycle chase was that good for most of my runs, since I usually just went in with the weapons which mopped them up quickly and obviated the need for that.)
On the other hand, the scenes of the election rally are fun, but nowhere near as extensive as paragraphs and paragraphs of Altgarten's socioeconomic development. (Or with Zamarra's own wry observations interleaved throughout, for that matter.) However, it does have an unexpected parallel on the true path
SPOILER
when the INFIRMARY: 4 scene and the sudden speech is quite reminiscent of the Defender's philosophy scenes in and around that tomb in Outsider!
END SPOILER
And while I'm not exactly enthused about noir-style protagonists having to have "Max Payne backstories", HELPLESS: 1 and the subsequent ref was genuinely well-done. While I hate the path you needed to take to get there, LOVE: 1 was also excellent, as are a few other "narrative" refs I can't quite name. On the other hand, Darkheart Enterprises is about on par with CabalCo from Blood: The Chosen, and along with the protagonist's name, it feels rather too much.
Here are some sorta-spoilery things I'll just describe as NARRATIVE LOGIC
SPOILER
* How come Drago's secretary immediately detects your weapons, even if it's just Glocks, but the crowd in the library does not mind them? How come you have the option to avoid surrendering the weapon in the nightclub, but not in VORTEX: 1, which doesn't seem to mention any security nearby (and one of the failure refs suggests more of them only got added later on.) Then again, they also don't bother to steal your completely unique weapons in spite of having every reason to, so there's that.
* How come you cannot just head back to the Doc right after you discovered that map under the table? It's such a frustrating thing, and for some time, I really thought some combination of starting stats/equipment had to allow you to protect the map, and this is what you would need to win.
* Machine gun fire from Ned Healy does not alert any guards in the library?
* KERNEL: 1 - Van Clank himself came up with those weapons, so why didn't he make one for himself?
* For HUNTED: 2, even max Awareness doesn't protect from failing to notice riders' approach? (Not that it seems to matter.) Plus it says riders have sunglasses, but then we can see the Leader's dark, impassive eyes?
* In REVIVAL: 1, it's funny that our Mark, who had fought SNs many times, and just recounted everything the doctor had done for him in JOY: 3, including having designed these hyper-advanced weapons, TWO OF WHICH ARE BASICALLY SUITCASE WMDs now rudely dismisses a different supernatural concept as "just speculation."
* It's also funny that he still considers it safe to return to his own home in spite of the little matter of the city's most powerful politician already after him.
* In INFIRMARY: 2, would the attendant's job really be boring after the events of the previous day? Also, interesting that according to REGENERATION: 1, Teneto has well-functioning universal healthcare?
* In INTERN: 3, why would mark be surprised that a rod which is as hard as metal is cool to the touch...exactly like any metal?
* YEARN: 1 "changes in the wave particles " ... even when taking quantum mechanics into account, that sentence seems rather dubious?
* "Centrenium is one of the oldest elements in the universe. Most scientists believe it is formed by a rare but naturally occurring process here on earth." - these two are mutually exclusive, since lots and lots of elements are billions of years older than the Earth. For that matter, nearly all heavy elements are predominantly of extraterrestrial origin as well?
* I am disappointed that plant killer doesn't seem to be usable on Rhodendra Azula?
* I am even more disappointed that the supposed ability of the Thompson to melt a wide path never appears to be used for anything, and that it doesn't rescue you in "QUIXOTIC: 3" , when that seemed obvious.
* For a while, I assumed that blowing up the lab would matter a lot more than it actually does. I even considered that blowing it up would draw away more of the guards from campaign headquarters, and so allow you to gun down the steed right there and still have a chance. It seemed more immediately logical than the true paths. Oh well.
END SPOILER
Altogether, still a cool experience, though personally less satisfying than it could have been.
ARRIVAL: 2 "in the middle of hundreds or rioting football fans."
ASCENSION: 2
"from the bowl of soup that Angela has place before him"
BLOOD: 3 "The only thing else you find is a laminated card with the man's picture and the name "Neil Hampton" emblazoned underneath the letters DH."
BORDER: 4 "She's quite headstrong, aint she?"
CONSOLATION: 3
" "What a day," you breath(e?)"
CRYPTIC: 2 "is a stone stature of a winged woman"
DESTRUCTION: 3
"changed to an off-white hue.The pallor"
ENERGY: 2 "As he gets closer, you see that his is wearing a long leather jacket similar to your own."
FEAR: 2
"The fiend's claws rake your shoulder and you grunt in pain - lose 2 Life Points.However,"
GREED: 2
"by wondering why there need be" (?)
HUNTED: 2
"You keep you eyes peeled" + "a rapid increase in humidity; - but you don't notice anything unusual." + "are approaching in a "wing" formation- the leader"
IMPLORE: 1 "I believe that it just might case"
INFIRMARY: 4 "She covers the dolls "ears" "
KERNEL: 1 "although you notice several crushed autos on the street, no doubt accidents caused by panicked individuals running into traffic." (did crowds crush entire cars? Or should it be crushed BY autos?)
KERNEL: 3
"Here's flier with information" + "they're the gentleman attired in the red overcoats."
LUST: 3 "Drago reaches gown,"
MEMORY: 1 "and fells one of them" (?)
NIGHTSTALKER: 4 "a pair of marble statues depicting a youth and maiden" + "man in a business suit that (who?) doesn't seem"
OMNIPOTENT: 2 "You nod slowly to Angle."
OMNIPOTENT: 4
"This book came form the central library,"
ORPHIC: 1 You immediately begin thinking about possible ways to circumvent your next obstacle; as you do, the screech of an SN drifts down to you. Glancing up, you see its red form floating lazily against the sun; as it doesn't appear to be an immediate threat you are just about to turn back to the roadblock when something catches the corner of your eye,
QUARTER: 4 "a risky move for all concerned ?" (extra space).
QUELL: 4
"You list perilously low to port - indeed, your knee momentarily scrapes the ground- but then"
There's always an interesting sense of history when you comment on an online work that is now two decades old.
When I first saw the title, I kept thinking of Midnight Special. Then I actually read the background and the first ref, and with a sigh, I realized this was going to be the Eragon of Fighting Fantasy Project. Unfortunately, my suspicions were proven correct later down the line as well, since several key plot beats are very obviously taken from far more famous works, with the kind of chutzpah most closely associated with Eragon. The internal narrative logic avoids some contradictions as glaring as in certain other gamebooks (i.e. ) but is hardly free of them.
SPOILER
If the three swords are meant to have similar power, how come the Sword of Night can draw thousands of followers to it, yet the Sword of Day didn't do much of anything until Tiemuraz took it? How come you fail to wake up when trying to enter the door of a wrong alignment, yet it's fine for Tiemuraz to wield blades of opposite alignments? Similarly, how come it drains you to have the Sword of Dusk, yet Tiemuraz has two swords at once, and suffers few consequences?
END SPOILER
For all that, I must say that the descriptions are good, and the final stretches are genuinely tense, which relatively few gamebooks manage to do. As long as you stick to the intended path, the writing is usually quite effective - and by intended path, I mean the route of Good, since there is just no real narrative logic to having the Good goddess speak directly to you, then pick one of the other two and THEN, if you succeed in stumbling onto the path they need, STILL undertake the trial as the Champion of Good. (For that matter, it feels like there's little narrative logic in the answer you must pick right before reaching the room of the final confrontation as well - it feels lifted out of a completely different kind of story.)
It's obvious that the Good route got by far the most attention and the encounters there are genuinely pretty impressive. You also get to fight with the Pike there, which might be the coolest weapon I have seen in these gamebooks. (Perhaps it is cool, even, as it doesn't actually seem to subtract 1 from your Skill.) Certainly much better than the mace (which I hoped would at least be of use vs. the stone war machine, but to no avail) or the battle axe. I gave up on searching for the Neutral token after finding out that you'll be the Champion of Good no matter what, but the evil path is obviously an afterthought. That whole double choice of doors is at best a bow towards conventions and at worst there to pad out the number of references.
Some other notes.
SPOILER
Weird that finding a coil of rope (probably the most powerful mundane item in the gamebook) is as uneventful as simply entering a random cave and finding it unattended with no real choice involved besides going on the right route.
Even the stealth skill does not actually allow you to sneak up on the two raiders, or bypass the sleeping one? It does not protect you at 81 either?
Hector comes across somewhat less grateful than one is likely to be after having been rescued from their likely fate.
In 353, the goddess is on a balcony, and presumably stands a floor above you, yet still manages to touch your chin from that position? Does she have freakishly long arms?
336 and 267 doesn't change if you had already learnt from the Tinker that Varna is under siege?
If you get killed fighting the Marluk Queen, you may not get "you have been killed in combat" message, just nothing at all between the dice rolls and the comment box. She also appears immune to the Pike's impalement: while that could be intentional, I don't see any ref explicitly mentioning that?
I was also hoping Woodsman could allow you to fix the Lantern.
317 is such an anticlimactic instakill, it balances somewhere between awful and brilliant.
I wonder if there's a use for things like the Wolf Pelt, Frying Pan, Fish Hook or the Pewter Statue? Perhaps I might have seen those if I tried taking more routes in the final stretch, but as it was, I found the acceptable one quite quickly. (I also briefly wondered if a Fish Hook + a Rope would let you pull away Tiemuraz's Sword of Day, but once the LOTR twist emerged, that appeared irrelevant.)
Now, proofreading. I must note that this gamebook has a strange tendency not to use any periods or commas at the end of any quotations. I checked some other gamebooks, and this seems to be the only one like that. The next set is only about the missing punctuation.
3
"We'll starve, soon" + "don't know how much longer Varna has left" + " out of sight of the gates" + "maybe together you can do something"
19
"while I work" + he'd not have tolerated this" + "I hope you enjoy the bracelet. (missing quotation mark.)
44
"they attack our engineers" + " no escape by sea either" + "you need some sleep" + "in your errand"
46
"It's free" he tells you + "everybody indoors"
49
"Champion of Evil/Good/Neutrality" + "be upon each of you" (punctuation for all)
55 "Glantanka's rays"
90 "to destroy him"
111 "nothing to you"
118 "just stay and chat"
124 "the Champion of Good" + " for The Test" + "the Sword of Dusk" + "blessings upon another"
126 "out of the path of the onrush of mud."
128
to this place" + "if so I chose" + "Take this"
144
"You will need it" she whispers
170 "I am sorry"
199
"of the Good within" + "the symbol of healing and fertility"
201 "Let the child in, Osvaldo" + "looking for a handout"
208 "the Sword of Dusk" + "three Blades" + "able to proceed" + "unless your need is great" + "they did not" + "for himself" + "in fact" + "will be destroyed"
212 "and ourselves"
289
"or as good as" + " a gift suitable to a defender" + "by the might of Kulak himself" + "a friend here in Varna"
305 "yet never forgotten"
318
"this way"
364
"thank Kulak" + the harbour side district"
365
"not without alerting the entire horde" + "some other gap in the wall" + "you will be successful"
368 ""Looks tough for a refugee" one remarks.
373
"call on the mercy of Vanyr"
389 "your fate"
393 "until he is dead"
399 "he who serves himself"
400 "brave warrior" + "awaits you"
401 "I only hope I have taught you enough" (both subsequent quotations in that ref as well)
87 "but without any really malice" + "wild out West, child" + " would want to be out in this weather" + "After a few hour's walk,"
89 "soothing the aches of your cuts and bruised."
93
"introducing you as a childhood friend comes to help." (who came to?) + "It was terrible" + "nowhere near enough to stop Tiemuraz's dastardly legions" + "although he's returned since then" + "a strong destiny ahead of you" (period.) + "bids you close your eyes." (to?)
95 "before starting awake" (startling?) + "are the Sun and the Moon" + "and you cannot fail" (period.) + " a small sharp edged" (sharp-edged?)
138 "Gioan the jovial fisherman's sun" + " For all you know his hoards may be nearby already."
143 " "You haven't changed" is his response." + "but we fear that the hoards are attacking" + "with an ebony black hilt" + "There are few houses which are still safe" + "a place to rest for the night" + "Agreeing that this sounds (like?) the best course of action"
148 "After an only an hour of travel," + "through the blasting rain as best you can,"
150 "Peacefully" is A BIT of a misnomer for that option. + "into the things needle-toothed mouth."
152 - weird paragraph break in the middle of a sentence?
161 "A long, whip thin shadow"
186 "You have lost your weapons.As you climb" + "I'm Grimoald" (punctuation).
218
"by the look of you" (punctuation) "And an able one by the look of it." (perhaps looks, in both cases?) + I can't offer it" + "damned be honest contract" (punctuation)
222 "Do you not understand? (missing quotation mark.)
233 "signs of a reason rockfall"
237 "Wedged into a lose space"
245
"The town Electors are beside themselves" (town's?)
"my companion, Yvet" (period.)
251 "will enter its final stage" + "be put to its purpose" + "to continue" + " and you see that, rather than pupils and irises, tiny starscapes peering at you from beneath his brows." (either "that" is unnecessary, or there's a word missing.) + "would be sad" + "to know"
253
" You affirm your determination to go (to?) the Shadnezzar ruins"
"does not commune with her worshippers lightly" + "must know you have a chance" + "get you out at dawn tomorrow" (periods.)
254 "you meet the things gaze" + "it lungs forward"
275
"his whip coiled around his waste,"
295 - another weird paragraph break.
320
"but their flesh... and its head"
353
"committed such an Evil," (is "an" necessary?)
+ "will know of the Sword of Dusk's location," (shouldn't it be present tense?) + although you must chose it" (period, and tense.)
""I am sorry, young warrior" + "I am sure he would be proud of you" + "a message I must carry to you" + "draw the evil-hearted to his side" + "none would come to dominate the world" + "the Sword of Night" + "tortured and barren" + "if Tiemuraz reunites all three blades" + is at stake" + "and he, too, will seek it out" (punctuation.)
366
"a large, cathedral like building." + "And the other, he is here?" (is he here?) + "Is this some sort of trap?" (a trap?) +"Now, chose a door" (choose?) + "The one you seek to destroy"
395
"a large hole turn out of its hull" (?)
425 Perhaps he will prove right in time. (be proven right?)
460 "you wipe their slimy grey blood of your sword" (besides the typo, there's also the matter of you potentially fighting this with a mace.
One last thing: in 40 (and the previous ref), there is no check in case you have no gold on you whatsoever. They also do not bother with the Gold Brooch, though if you already went on this path, the Brooch appears useless anyway?
It doesn't really make any difference, but I changed it so that it now takes account of you having no gold. It's reasonable to infer from context: "Your money or your life" that the robbers are only after gold pieces, not all gold items in general, so the brooch doesn't need to be an issue.
A.E.Johnston Mon Aug 28 05:08:34 2023 General Chat
Hi everyone, just checking in and glad that’s the site is doing well. Just wanted to chime in regarding William Adam, as I have actually done a lot of detailed research on his life. I would Highly recommend “Samurai William” by Giles Milton, it’s an enjoyable read and covers most of Adam’s life, including how he later helped establish trade in Japan. I’ve actually thrown around some ideas for a gamebook with him as a main character ( and no coincidence that the name of the protagonist in my last gamebook was none other than a ‘William Adams’ :) )
Excellent! I particularly like how besides the main plot, there are also the background details about the fate of the three lost warriors who preceded you, which you mainly learn through making the wrong decisions. And of course, the weakness of Skuznut himself and even the clan itself are all well-conveyed, making this a very different experience from the most.
Unfortunately, the one thing which it has in common with too many other stories on here is the lack of proofreading. Then again, better (20 years) late than never, right?
SPOILER
11 "extract two tusks worth of dentures." (apostrophe?) + "you decide it might a good idea" + "to get of here quick"
17 "with a worse headache then before," 20 "Do you want to enter the Dark Places ?"
25 "change your mind and play Spot the Beetle ?"
29 "and your memory quicken forgotten"
32 " in the direction of the Fungus Gardens ?"
33 ""you notice that your are now"
34 " Angeror submission ?"
38 "and as your stagger back"
40 "something snaps at you ankle"
41 "you may restore one STAMINA point.Tipping the rest"
47 "Would like to bet a tusk or two "
50 "Suddenly , as you ponder" + "is that if this the Chief's Room" + "makes my skin itch...replies the guard" (missing quotation mark.)
59 "getting guard to check it first"
84 At anytime during
99 "has to dig around the Den to find another.You" or "you lose one tusk.You may play again" or "swears and reshuffles.You may" + "you win one tusk.You may play again,"
END SPOILER
Yes I appreciate the corrections even after all this time.
Interesting ending, especially with the main character being homicidally insane. But there was a lot of wandering around through a maze of pretty bland descriptions. More clues or hints about our state of mind would have spiced this up a bit.
I practically have no words. This is the first, and hopefully only, gamebook where I didn't just resort to checking the comments section (happened a few times before), but also to right-clicking and even Ctrl-Fd through the downloadable version by the time even time itself couldn't beat the acid pool, tired of going in circles and beginning to doubt if ANY of the myriad items on the way were actually useless. (Turned out, many were.) This seemed preferable to putting up with the incredibly arbitrary logic of the proceedings, which can at most be condensed to loose guiding principles
* The stupidest possible thing is usually the right one, BECAUSE BRAVERY!!!
* If something hurts you when you pick it up, you'll definitely need it to win. Vice versa, if something actually raises your stats, you have most likely found a trap and should try anything else next time.
* Something which was the right thing to do once will probably be the wrong thing next time you are in a similar situation, and vice versa. Except when it still works the same way, that is.
* Oh, and don't expect even physical continuity. In the exact same locations, a slightly different choice can suddenly cause the character to overlook what he would otherwise spot in the same room, going the same route.
I still don't know what to think of that thing
SPOILER
with the silver bow and arrow. I was UTTERLY convinced that assembling the full set was one of the main reasons the whole time travel was in place, and the moment you get all three is a triumph. I have no idea if all of this being a trap was an interesting subversion, or just awfully written waste of time. Same as the shop, the one which forces to do more counterintuitive BS just to interact with it in the first place, only for the entire thing to be proven useless again.
END SPOILER
At least I don't have to struggle to express my feelings about the ending - it was godawful. I can't say I was overly disappointed, as by that point I was far too tired of the whole thing to care much either way. There's a reason why video games frown upon drawing enemies out of thin air - and it's the same reason why being literally teleported to the dungeon by your enemy, having items or even teleporters summoned out of thin air for you by the villain or getting commented on in real time or told hints by him is such a nightshade to any narrative investment. The villain actually standing in place and rattling off the literal laundry list of what you need to try and kill him (well, most of it) is hilariously bad. It's particularly incongruent with the detailed violence, which lends surprising gravity to the proceedings - only for all of it to get wrested away by the above.
I did find it funny how I completely forgot the intended reason for why the character even went to that dungeon in the first place (beyond the whole "skies raining blood" thing) as the result, and had to reopen the starting page to recall who the ending even mentioned in the first place. And it is neat that clicking "CONTINUED..." lets you directly carry over your endgame stats to the sequel. What I see of it right now isn't exactly promising, though: just how out of touch does one have to be to think that anyone who went through ALL OF THIS is going to want MORE Trinitour, in any way, shape or form?
Why did I even bother to cheat so much so to get to the end, if I lost any real investment in the proceedings by then? Simply put - because even though this is the very first playable story on here, around 22 years old, I STILL found a massive trove of various typos and even outright bugs by the time I had to resort to cheating, and wasn't going to abandon that, or post them while only part-way through.
First, the literal bugs:
* Neither the silver mace, nor a certain shield, actually show up in your POSSESSIONS list (that last thing really convinced me at one point that the character simply didn't pick it up in the first place, and wouldn't do that without using one of the scrolls.)
* You can use the Potion of Fortune right as you get "Spider Man is preparing to bite!" message, but then it just takes you to 571 and nowhere else, and the way it appears with a clipped interface is clearly bugged.
* 305 and 392 do not show you "The End" or any comment box.
* drinking at 216 still gives the option to swim all over again afterwards. 273 still lets you go west even after you have already been there.
I am running out of comment space to include the typos, so I'll just end this comment here. offer a couple more observations on the differences between online and written versions, and on the general logic.
I can't reproduce the issue with the mace and shield not showing up, or the Spider Man one; if you see these again, could you send me the URL?
Firstly, I'll go for a very common grammar issue which appears unique to this story: the tendency to place unneeded space before every ellipsis "..." Even the background is absolutely full of this. Other typos are only included when they are on the same ref as this.
SPOILER
40 "healing potions ... has she cast some sort of spell"
51
"Now ... do you own"
90
"it's face a picture of fear" +
"Well ... you have discovered my final deepest secret, you cause me to ... admire you" + "it's face a picture of fear"
110 "You wonder what the next one is ... you walk"
155
"I didn't think you ... had it in you ... brave warrior ... you are ... the ... victor ..."
+ "Please ... no"
+ "sprout to giant-sized wings"
+ "is the demons reply"
160
"you bravely enter the cloud ... the" + "Leave north (portcullis)?"
188
"of the most battle-weary of warriors ... but you're used to it now ..." + "Don't listen ... to him." + "the ... Demon" + "and ... save our souls" + "you ... can do it"
237
"and enter the mirror ... and pass through it safely!"
238
"A pity ... I was so looking"
261
"It must be ... it is!"
295 "it begins its decent back down to earth" +
"a transformation takes place ..."
328
"Of course ... it has to be!"
334
"by another familiar scene ... you"
344
"You find three ... but all look impossible."
413
"of course ... this is"
447
"and wish to offer you help ... tell me,"
END SPOILER
Now, the other typos are once again taking up too much comment space, so I'll place the other observations here.
SPOILER
* I am saddened you are not allowed to even TRY the flute on snakes.
* Or that candle does not work at 453, for that matter.
* Interesting that you have to use blunt weapons to fight stone and crystal enemies, but a solid steel one can beaten with a sword. Granted, it’s not real in the first place, so I suppose removing the option to use a sword would make it too blatant that the scroll is necessary. (Or convince people even more that fighting it is needed?)
* No option to turn back at 149.
* 189 is weird, considering how you discover an unidentified spell in the first place.
* Weird that the werewolf is guaranteed to hit you and drain a belladona even before the fight begins in the online version, but not in the original one. The software obviously supported on-hit effects leading to other refs already (i.e. cockatrice, ghoul, spider-man) so why not here? Did ffproject decide the whole thing needs to become harder still?
* Or was that an adjustment for the reduced number of trap items in both shops, or for the trap spectre not hurting you when used randomly?
* Similarly, how come you do not have the option to try the sword in the devil-shaped handle?
* Phil Sadler has commented many times here that his written version is easier than this one, but other than the ability to Ctrl-F/flip through, I am not quite sure what he means? Discovering the right use of scrolls through adding/subtracting paragraph numbers is hardly easier than simply trusting the computer.
* It would be nice to have SOME explanation at 405 of why the golden wish ring is worth 2 Luck points? It doesn't need to explain its only real use, but some hint of what it CANNOT do (i.e. save you from acid) would be great.
* It's so, SO cheap that both times you get the option to spare someone, but the only winning move is to kill, they die anyway. With the Rhino-Man, there's the added incongruency where he describes the place as his TOMB - but then begs for mercy, and bleeds as heavily as if he was alive. The Chaos Warrior scene could have been a lot more than shock value if healing did save her, and would have allowed her to act as a companion in battle (perhaps after you break the chain with mallet and spike?) This is like the ONE moment where the key item getting dropped by Trinitour directly would have been preferable to the state of things (you respect her sanctity too much to find the scroll, and this outweighs the whole thing getting bloodsoaked on the intended path?)
* Whose female laugh are you meant to be hearing when you fail to obtain/identify the Hellfire counterspell and die? The Chaos Warrior's? The librarian's? The other Chaos Warrior's? (Is there meant to be any relation between the two? I once tried seeing if offering potions to the first on the 2nd loop would make the second act nicer to you once you get there, but nope.)
END SPOILER
I'm not going to bother with ellipses. From the references online that I've seen so far, it appears that putting spaces before them is the correct thing to do anyway.
It would obviously still be a trap option if you had learnt the spell and bought the spike and the mallet the first time you go through, then went back and this time healed the Chaos Warrior and broke the chain, as you would have still walked past the right door for that. Perhaps you would get the option to go back to the door in that case, but then that monster who appears but is not fought when you learn the word "Honour" would be summoned for real once you have opened that door, in a battle which you might survive, but she probably won't? It would at least to make the player in the end stretch feel any strong emotions besides frustration.
END SPOILER
Now, the remaining typos I spotted (I didn't try most of the post-acid trap options, particularly the ones which only appear with failed checks, so I would suggest ffproject personally gives them a second look.)
SPOILER
3
"that the on the western wall"
6
"What will you do: Open the door?" (no paragraph break)
7 – spaces between options and question marks.
39 – spaces between options and question marks.
45
"You whip out the warhammer and start to whack lumps of the crystal giant-man. (off?)"
50
"Will you continueor"
55
"few scraps of plain ill-fitting chainmail armour (plainly?)"
59
"in other words; it's transformations"
76
"but no sooner do I enter this terrible place than I have my sword stolen"
"the way you're going" you tell him with a frown." (period.)
"as I speak." you tell him."
86
"but it holds fast. Thenit"
120
Attack him regardless – missing question mark
156
"clean of his hoofed feet"
157 and offer you no danger." his voice is cracked and weak. +
" I will fight back" The"
177
"(of enemies anyway, traps, are another matter):"
180
"atquite incredible speeds"
192
"a similarly restrained silent, warrior" (unneeded comma?)
194
"Try the tunnel ? (extra space.)"
199
"my last line in defence," (of?)
"the ABOMINATION" (missing period.)
"Its misshapen body (is?) covered in"
203
"a life-size painting of a beautiful, young, dark-skinned women" + "149-168AC"
214 "The women doesn't seem surprised" + "Deduct one LUCK point ." (extra space.) + "Use these spells on any enemies you suspect of being false by selecting it below" - singular/plurar confusion.
223 "amongst its body-parts."
226 "as best you can,"
227 "You may nevertheless try another question :"
228
"and its heading straight towards you." + "What will you do, fight this giant or run north as the Sentinel is quickly backing you into this tunnel." (Question mark?)
241
"And is reaching for you" (a pronoun might be missing here?)
244
"and shout 'Begone!'."
255
"seem unbearably loud"
273
"painted on the skull of some huge animal is , "To a" (space.)
288
"than a humans speech."
318
"all right, all right!" - capitalization.
"Your heart is full of goodness warrior...what little help I can.' (inconsistent quotation marks.)
"has come a little to late for me"
320
"most defiantly a monster;"
321
"and heaven knows - you'll need it!"
327
"which will you try ?" +spaces between the options and question marks.
330
"until you think you may finally of found something of interest"
337
"where will you search: the Rhino-Man?," + may be setting some sort of trap, (a?)
338
"it's only purpose in life"
354
"I can help you.".
363
"When ever you encounter a situation"
365
"whilst wiping tears from your face ,when, "
369
"you scream in the creatures face."
375
"A completely harmless (and?) rather cute animal" + "and covered in thick dark, brown fur." (may need another comma?)
379
"Give him the potions ?"
"he's a particularly thirsty fellow." the snake winks at you."
385
"If ever you think"
"The door isn't locked though, very strange ..."
399
"absorb the poor things good-fortune."
411
"when you here a strange, soft noise"
422
"your former opponent carefully.He begins" + "Just then, with out so much" + "Ignoreit?"
430
"(and hopefully not in to Hell.)"
448
"The women is chaotic;"
463 - hoping for the best. (question mark?)
477
" a fate worse then"
479
"and far from pleasant ..."
483 "you pass into a bone filled tunnel where you observe a rat casually munching (on?) a piece of cheese."
466
"Because you've forgot all"
483
"ignore the thing and carry on ..."
486 + 167 + 108 - spiders are not insects, come on!
1) The character who IS present at 112, 5 or 77 spends most of his time in "polemics against Governor Brandon and the 'Secret Merchant Elite'".
2) At 77, he demands proof that "you're not one of them".
3) At 84, the scrolls explicitly mention "the Secret Merchant Elite", as well as encouraging the fight against Brandon.
4) Ergo, it seems obvious that your character would try and present those scrolls as a proof. Even if their presence would somehow backfire, it makes no sense to hold onto them and not show them in this situation.
END SPOILER
Another observation.
SPOILER
At 124, you lose 2 Stamina if you have no weapon, 1 Stamina if you have a dagger...yet, if you have an Axe, you still lose 2 Stamina instead of 1 or even none?
Further, at 2: "Your fresh water has run out and you endure more of the Sun. Hunger also sets in - lose 1 STAMINA point." - wouldn't a waterskin have at least SOME impact on this?
END SPOILER
Some more grammatical details:
58
"that catches your eye is the barbers." (apostrophe?) + "which may be interesting :" (space).
68
"runs away to the leg that you can now see." (to a leg?)
I have already seen many comments on other works' threads warmly refer to this tale, and I can certainly see why! Like his first work on here, Lair Of The Troglodytes, it's a cleverly written and humorous look at the low-powered side of Titan. Unlike it, it's a lot less restrictive - while your limited options in that story were mostly well-justified by the inherent weakness of the character, being automatically forced to march to Chief's Lair sooner or later felt like an overkill.
That, and being a human peasant fighting goblinoids is clearly more relatable than being a troglodyte warrior to a typical reader as well. While some of us may malign this inherent bias, it's hard not to admire the details here, like player's regular preoccupation with the weather and having to deal with leaks in his roof all the time. The concerns and preoccupations of only somewhat wealthier farmers and merchants come alive on the page as well, along with all the locale descriptions.
It's a pity you cannot attempt to use the torch to either set the goose tree on fire or to generate smoke to scare off the bees, but then again, the torches are already essentially the most useful thing you start off with by far. After all, bow and arrow is rather underused when compared to, say, what you could do with in A Saint Beckons (written nearly two decades later, I know.) I was hoping you could attempt to use it against the final boss, or at least against more of his forces before the big battle begins.
And I suppose everyone who had played this to completion knows that he fishing rod is practically a trap option, not only making it harder to win the more you use it, but even a typical fishing day is actually far MORE dangerous than a typical job board day. (To the point that a "spend the entire week fishing and see the town destroyed" or "spend all but one day fishing, survive" challenge might make sense.) I am surprised that you are not able to just abandon the fishing rod and flee, and must fight to death every time instead.
Now, typos. Firstly, there are excessive spaces again (a lot of the earliest submissions seem to have them?)
7, 9, 11, 21, 31, 33, 34, 41, 45, 53, 55, 60, 64, 68, 77, 79, 80, 83, 85, 89, 90, 91 - extra space between the options and the question mark or period.
2
"whose antadorned surfaces" (hyphen?)
8
" a large, crowlike bird" (hyphen?)
15
" cooks what appears to be the remains" (tense?)
23
"it has more than four legs,"says" (missing space.)
24
"You may fire an arrow at the RAVEN, but the it is a difficult target to hit."
27
" Also, by doing so in such weather lessens the risk of us setting all this corner of Allansia aflame" (is "by" necessary here?)
37
"of his two remaining dogs. " (extra space.)
39
"small, fireblackened figure" (hyphen?) + "near to you" (is "to" needed here?) + "and dressed like some sort of sneak-thief." (a?)
46
"of once what was its neck."
47
"you may eat one meal , two meals or nothing." (extra space.)
57 - mentions multiple carcasses even if you had only fought one carrion bug.
66
"the prospect of a day of unpaid idle however," (idleness?)
68
"You job would be"
79
"Galana the Gardner" (?) + "its highcolumned galleries" (hyphen?) + a strangely placed paragraph break.
Forgot to enter a name before hitting submit the last time, and it seems that this erases "the victor's star" from your post when you do re-enter your name. Oh well.
Speaking of stars: the more works I check out here, the more I am interested in seeing a fourth kind of post-run symbol. There is currently a star (victory), shooting star (all-challenge victory) and a skull for everything else. I think it would be nice to see a symbol for the endings where the character does not reach the initial stated goal, but also doesn't fail catastrophically, with outcomes ranging from acceptable to arguably better than the main ending(s). I am thinking of
SPOILER
The Defender, Necromancer and Count endings of Outsider!, "go adventuring with a skeleton" ending of A Princess of Zamarra (perhaps some other intermediate endings too), the adventuring and rule alone endings of Melchion's Week, one or two endings of A Day in the Life, and perhaps even the Kneecapper ending of Lair of the Troglodytes.
END SPOILER
White flag would be an acceptable pictogram, I guess, though some stylized flower might be even cooler (since a lot of those endings are comparatively peaceful next to the primary ones.)
Not a bad idea. I'll have a think about a suitable symbol.
Not easy. Needed to go through the downloadable version to figure out that I had to retreat immediately and kill the beast. The most annoying part was counseling the couple.